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The defamation suit my rapist has filed against me claims “assumption of risk” as part of his defense. I can state unequivocally that I never assumed that, by attending the University of Southern California, I was risking becoming a rape victim.

By letting my boyfriend drink a glass of water and take some aspirin after a party, I never assumed I had let a rapist into my apartment. How could I have been expected to assume this? Because I am a woman? Is that what it boils down to? Because I possess a vagina, I must understand that my mere existence evinces a daily risk of victimization and theft of personhood?

Fuck that noise. It’s time to stand up, step forward, and stop the rape.

After Being Failed by My College’s Administration, I Posted My Rapist’s Name and Photo on the Internet, by Tucker Reed


To read the full article, visit:

http://www.xojane.com/issues/tucker-reed-outs-rapist-at-usc

Sweden’s Real Size Mannequins Go Viral

Sweden’s Real Size Mannequins Go Viral

Source : 66lanvin

Dear Taylor Swift,

When your entire self-cultivated, public identity is that of a naive, boy-crazy, over-grown adolescent in constant search of validation and self-worth from the boys you date and pine for, and when every song you write and every interview you give only functions to reenforce this identity, and when YOU as a young, conventionally attractive, wealthy, white woman, are a part of the demographic of women who have most benefited from the Women’s Movement, generations before you, and when YOU, as a privileged, white woman who has also found professional success, have been afforded a platform that allows you to help shape the hearts and minds of millions of young women who look up to you, and YOU choose to cultivate and reenforce the aforementioned identity and image—then heffer, YOU calling Tina Fey sexist for jokingly advising you to take a break from boy-chasing and childish pining and whining, and ‘find yourself’, is preposterous. And you are an insult to the women who have come before you. And your entire self-created image is sexist.

And your stupidity angers me enough to write a letter. You should consider a career in politics.

Bam.

K-Thanks.

Best,

Fatma

My Open Letter to Taylor Swift
While we’ve all come up internalizing racism, since it’s all around us, only one group of people actually benefits from its existence. Not every white person is a racist, but the genius of racism is that you don’t have to participate to enjoy the spoils. If you’re white, you can be completely oblivious, passively accepting the status quo, and reap the rewards.
Mychal Denzel Smith, from his essay White People Have to Give Up Racism, published in The Nation.
I felt powerless in that image. I didn’t feel powerful. It ate every other part of my personality, not for me but for how people saw me, because there was nothing else to see or know. That devalued me. Because I wasn’t anything. I was an image. I was a picture. I was a pose.
Megan Fox, on being objectified as a Hollywood ‘sex symbol’

“Eliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her retired father moves back to Tanzania, Eliaichi begins a project that evocatively examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents.

Kimaro decides to document her father’s path back to his family and Chagga culture. In the process, she struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. Yet as she talks to more family members, especially her aunts, she uncovers a cycle of violence that resonates with her work and life in the United States. When Kimaro speaks with her parents about the oppression her aunts face, she faces a jarring disconnect between immigrant generations on questions of patriarchy and violence.

‘One reason this film works,’ notes Tikkun Magazine, ‘is that Kimaro situates her own personal family history within a social, historical, and political context of African decolonization, transnational relations, race, class, and gender politics.’ With poignant personal reflection and an engaging visual style, A Lot Like You draws the viewer into a journey that is filled with rich, multifaceted stories and history.

‘A moving personal essay on family and diversity’ (Seattle Weekly), the film raises questions about the cultures we inherit and the cultures we choose to pass down, and reveals how simply bearing witness to another’s truth telling can break silences that have lasted lifetimes.”

Watch the full film on Black Public Media:

http://blackpublicmedia.org/alotlikeyou/

This, however, creates a chain of denial—many feminists who focus on reproductive rights do not value the contributions of sex workers to their movement, and many sex worker rights advocates who focus on bodily autonomy do not value the particular issues faced by people who do sex work because of coercion or dire economic circumstances.

Envision a Sex Worker Movement Sans Feminism, by Audacia Ray

Source : womensenews.org

“First we oppress them, then we get mad if they say they’re oppressed and then when they say they were a part of American history, we deny them.”

Georgetown sociologist Michael Eric Dyson, on denying the histories of people of color, in American public schools.

Source : youtube.com